1.
The Setting Rays of Integrity:Analysis of Aesthetic Consciousness in Qian Nan-yuan's Regular Script
癸丑的斜阳——钱南园楷书审美意识浅绎
2.
He was good at li and xing calligraphy, but was especially expert in kai calligraphy.
他擅长隶、楷、行各体，尤以楷书影响最大。
3.
There's playfulness even in Paradise Lost, which Milton intended as a work" exemplary to a nation.
甚至《失乐园》中也有游戏的成分，虽然弥尔顿本意是写一本“为国楷模”的书。
4.
Tang Dynasty kai calligraphy has been used for centuries as a model.
唐楷当之无愧地树立了一种楷书的范式和法度，
5.
Li calligraphy developed from zhuan characters but it introduced the kai (regular script) characteristics.
隶书承上启下，上承篆书，下启楷书。
6.
The Writing and Formation of Regular Script of Stone Inscription at the Sui, Tang and Five Dynasties（隋唐五代）
隋唐五代碑志楷书书写、构形状况论析
7.
On Chinese Standard Script in Calligraphy of Tao Te Ching Written by Tian Yongzhao
门外楷书谈——读《田永昭书〈道德经〉》摭言
8.
Two basic laws need to be grasped on regular script in Chinese calligraphy:The dot stroke is the most basic part in regular script ;
楷书有两个提纲挈领的规律 :点是楷书笔画最基本的要素 ;
9.
it did not achieve its zenith until the Tang Dynasty (618-907).
只有唐代，才说得上是楷书的鼎盛时期。
10.
The official script in calligraphy is a transition between seal character, and regular script.
隶体是书法从篆体到楷体的过渡。
11.
They were told to write their names in block letters.
他们被告知要用正楷大写书写姓名。
12.
Social Material Foundation for the Development of Kaishu in Late Han Dynasty and Wei-Jin Period;
论汉末魏晋楷书发展孕育的物质基础
13.
The Confusion of the Forms of Stone Inscriptions in the Sui, Tang Dynasties (隋唐)and Five Dynasties(五代);
隋唐五代碑志楷书中的形体混同现象
14.
ON THE CHINESE CHARACTER-BUILDING OF THE OFFICIAL AND REGULAR SCRIPT ──THE SIX NEW WORD-BUILDING METHODS;
论隶楷汉字的构字方法——“新六书”
15.
"The major ones are the following three. The first is Kaishu meaning "regular script."Caoshu is the second, or called "grass script,"characters are executed swiftly and the strokes flow together in a cursive manner."
主要包括下面3种:楷书，也即"楷体正书";草书，草书书体运笔婉转，笔笔相连，笔势不滞;
16.
Meanwhile, kai calligraphy (regular script) and xing calligraphy (semi cursive script) also appeared and developed rapidly.
同时，楷书和行书也出现并快速发展起来。
17.
Walking Hand: the Best Style in Calligraphy Teaching for Teachers’ Colleges;
毛笔行楷是高等师范院校书法教学的理想书体
18.
A Transitional Function of Chu Suiliang s Regular Script in Tang Dynasty;
简论褚遂良的楷书在唐代书法中的过渡作用