1.
Study on the Process of Collection Treatment and Its Method for Voice of Customers
顾客声音数据收集处理过程及其方法研究
2.
To Study on the Relationship of Casting Uniformization to the data Disposing of Customers’ Voice
顾客声音数据处理一致化映射关系研究
3.
There happened to be no customer in the shop but Jacques Three, of the restless fingers and the croaking voice.
店里碰巧没有顾客，只有那手指老抓挠着、声音低沉的雅克三号。
4.
The organization should plan and establish processes to listen effectively and efficiently to the "voice of the customer".
组织应当策划并建立有效和高效地倾听“顾客的声音”的过程。
5.
There is a stereo in the room.
客厅里有台立体声音响。
6.
The Relationships between Customer Perceived Corporate Reputation and Purchase Intentions
顾客感知的企业声誉与顾客购买意向的关系研究
7.
A Phonetic Analysis of the Hakka and Gan Dialects;
客赣方言舌齿音声母按等分立的格局
8.
A Study on Method of Online Distinguishing Leaders from VOC in OSN
OSN下的客户领袖声音在线识别方法
9.
customer in a shop
（商店的）顾客,主顾.
10.
The Study of the Corporate Reputation Influencing Factors of Consumer Perceiving Purchasing Online;
网络购物时顾客感知的企业声誉影响因素研究
11.
Article 44 In commercial activities high-pitch loudspeakers and other loud-noise instruments are forbidden to be used for attracting customers.
第四十四条 禁止在商业经营活动中使用高音广播喇叭或者采用其他发出高噪声的方法招揽顾客。
12.
Study on the methods of classification and type distinguishing of Leader Opinions of Customers from OSN
OSN下客户领袖声音分类及其识别方法研究
13.
The Lingual-dental Initials in the Hakka Dialects and Their Evolution;
客家话的舌齿音声母及其演变——兼论客家话与北方话的分离年代
14.
In the future, muzak will be even more1) accurately2) customized to customers" requirements.
未来的电梯音乐会更加精确地依照顾客的要求量身定做。
15.
Objective Acoustic Analysis of Trach-Oesophageal Following Ⅰ、Ⅱ Term Voice Rehibilition after Total Laryngectomy;
喉全切Ⅰ、Ⅱ期发音重建术后气管食管音的客观声学分析
16.
No sound was audible save that of the carriages that were carrying the maskers home;
除了送游客回去的马车的辚辚声之外，什么声音都听不到了。
17.
At Echo Wall, visitors now offer cries instead of sacrifices, hoping to hear their voices bounce back to them.
在回音壁前，游客们不再献祭，而是大声喊叫，希望能听见自己的回声。
18.
Subject and Object Reciprocate to Enjoy Harmonious Tone--Study Ji Kang‘s music appreciation theory from "Tone has no sadness or happiness;
主客互动悦和声——从《声无哀乐论》看嵇康的音乐欣赏理论