1.
After Buddhism spread into China, octagonal stupa was widely used by Chinese bonzes and exerted profound influence upon the Buddhist art in China.
佛教入华后，八面体佛塔被中国僧人广为利用，对中国佛教艺术产生了深远的影响。
2.
CHEN Zhi-fo's Contribution to the Fine Arts Education in China
陈之佛对中国工艺美术教育的贡献
3.
On the Recommendence of China s Buddhism Statue and Its Characteristics of Art;
中国佛教造像的引进及艺术特色探究
4.
The localization of Buddha's figure in China is the art product of historic culture after Indian Buddhism entering Chins.
佛像在中国的本土化是印度佛教进入中国后的历史文化艺术产物。
5.
The Certain Connection of National Oil Art of China and Buddhist Culture;
中国油画艺术的民族化与佛教文化的联系
6.
Chen Zhifo (1896-1962) is a famous modern Chinese art educator and artist of crafts and Chinese painting.
陈之佛(1896——1962)是中国近现代著名美术教育家、工艺美术家、国画家。
7.
Buddhism and China s Aesthetics--With a Note on the Chinese s Outlook on the World,Nature and Art;
佛教与中国美学 兼论中国人的宇宙观、自然观、艺术观
8.
Tibetan Buddhist art is an important part of China Tibetan arts.
藏传佛教艺术是西藏艺术中的重要部分。
9.
The Emotional Factors in the Tibetan Buddhist Statue Art;
藏传佛教造像艺术过程中的情感特征
10.
The Definition and Function of“Change”in the Buddhist Art;
佛教艺术中“变相”的定义及其功能
11.
Thought of Filial Piety and Morality based on the Jataka of Samaka;
从《睒子经变》看佛教艺术中的孝道思想
12.
On Chinese Painting from the Visual Angle of Confucianism,Taoism and Buddhism;
从儒、道、佛的视角论中国绘画艺术
13.
Being the early focus of Buddhism during the Northern Wei Dynasty, the Yungang Grottos had great influence on grotto art development in other Chinese areas.
它作为北魏早期佛教艺术的中心，给各地石窟艺术以巨大的影响。
14.
The Indian-Nepal Style in the Central-Tibet s Buddhist Art from 11~(th) to 13~(th) Century;
试论11～13世纪卫藏佛教艺术中的有关波罗艺术风格
15.
A Rare and Beautiful Flower of Chinese Scripture Print Art--On the Buddhist Scripture Print;
中国雕版艺术的一朵奇葩——佛经版画概说
16.
Donor Figure lmages in Chinese Buddhist Sculptures:A New Viewpoint for Research on Buddhist Art History
中国佛教造像中的供养人像——佛教美术史研究的新视点
17.
"The art represents the first major influence of Buddhism on China, and may be divided into two major periods."
此艺术首度呈现出佛教对中国的主要影响,可以分为两个重要的时期。
18.
Secondly, grotto art is the reappearance of inosculation of real living scene in the religious area and different times of China.
其次,石窟艺术又是佛教境地与中国不同时代真实生活情景融合的再现。